San Giobbe Altarpiece by BELLINI, Giovanni.

San Giobbe Altarpiece c. 1487 Oil on panel, 471 x 258 cm Gallerie dell'Accademia, Venice: This painting (Madonna with the Child, Saints and Angels) was executed for the church of San Giobbe in Venice, originally over the second altar on the right of the church, completing, in an illusory way, with its own spatiality, the Lombardian architectural plan.

This study focuses on a single work, Giovanni Bellini's altarpiece of the Virgin and Child enthroned with saints, painted about 1485 for the altar of Job in the church of San Giobbe, Venice (now in the Accademia); its purpose is to make more apparent Bellini's inventiveness and the depth of his response to Venetian ideology and thus to lead to a fuller understanding of his importance to later.

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In the San Zaccaria Altarpiece, the mood is one of quiet and restrained contemplation as all the figures are demure as they stand beside the Virgin and Child as the angel performs a serenade with a violin at their feet. The scene type often shows an anachronistic gathering of figures who did not live at the same point in history. For example, in Bellini’s painting here, we see St. Peter.

People who are part of a church fully understand and worship altarpieces in their own devotion to their religion and church. An example is the altarpiece, The Virgin and Child with Saints Francis, Andrew, Paul, Peter, Stephen, and Louis of Toulouse altarpiece by Ugolina Di Nerio was created between 1317.

The Pesaro Madonna, painted for the Venetian church of Santa Maria Gloriosa dei Frari, Titian modified the pyramidal composition of Giovanni Bellini’s San Giobbe Altarpiece. In contrast to the Bellini, Titian’s Mary and Jesus are off-center, high up on the base of a column, and the asymmetrical architecture is positioned at an oblique angle.

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The Merode Altarpiece, created by Robert Campin between 1425 to 1428, is comprised of three panels or a triptych, a form of art that was adopted from the Middle Ages. Campin, from the Belgian town of Tournai(1), is widely considered as the “Master of Flemalle.”.

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